{"id":3198,"date":"2023-03-06T19:34:38","date_gmt":"2023-03-06T18:34:38","guid":{"rendered":"https:\/\/e-ucebnice.ff.ucm.sk\/?page_id=3198"},"modified":"2023-03-06T21:30:15","modified_gmt":"2023-03-06T20:30:15","slug":"interpretacia-narativnych-textov-l","status":"publish","type":"page","link":"https:\/\/e-ucebnice.ff.ucm.sk\/index.php\/interpretacia-narativnych-textov-l\/","title":{"rendered":"interpret\u00e1cia narat\u00edvnych textov-L"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"3198\" class=\"elementor elementor-3198\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6f672ed elementor-section-height-min-height elementor-section-boxed elementor-section-height-default elementor-section-items-middle\" data-id=\"6f672ed\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t\t<div class=\"elementor-background-overlay\"><\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-bbeb470\" data-id=\"bbeb470\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d82f1ef elementor-widget elementor-widget-heading\" data-id=\"d82f1ef\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">\u00daVOD DO INTERPRET\u00c1CIE NARAT\u00cdVNYCH TEXTOV<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2858d6f elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2858d6f\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-e63bd34\" data-id=\"e63bd34\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-0b79421 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"0b79421\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-bb0ded5\" data-id=\"bb0ded5\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-759b076 elementor-widget elementor-widget-heading\" data-id=\"759b076\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">Literat\u00fara<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5aa9d5d elementor-widget elementor-widget-text-editor\" data-id=\"5aa9d5d\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Pramene<\/strong><\/p><p>HOUELLEBECQ, Michel. 2019. <em>Roz\u0161\u00edrenie bojov\u00e9ho po\u013ea<\/em>. Bansk\u00e1 Bystrica: Liter\u00e1rna ba\u0161ta.<\/p><p>\u00a0<\/p><p>KUNDERA, Milan. 2014. <em>Nesnesiteln\u00e1 lehkost byt\u00ed<\/em>. Brno: Atlantis.<\/p><p>\u00a0<\/p><p>MAUPASSANT, Guy. 1992. Na vode. In: <em>22 fantastick\u00fdch pr\u00edbehov<\/em>. Bratislava: Slovensk\u00fd spisovate\u013e.<\/p><p><strong>\u00a0<\/strong><\/p><p><strong>\u00a0<\/strong><\/p><p><strong>Sekund\u00e1rna literat\u00fara<\/strong><\/p><p>ARISTOTELES. 2009. <em>Poetika<\/em>. Martin: THETIS.<\/p><p>\u00a0<\/p><p>BACHTIN, Michail M. 1973. <em>Probl\u00e9my poetiky rom\u00e1nu<\/em>. Bratislava: Slovensk\u00fd spisovate\u013e.<\/p><p>\u00a0<\/p><p>BARTHES, Roland. 1985. Introduction \u00e0 l\u2019analyse structurale des r\u00e9cits. In: <em>L\u2019aventure s\u00e9miologique<\/em>. Paris: \u00c9ditions du Seuil.<\/p><p>\u00a0<\/p><p>BARTHES, Roland. 2007. <em>S\/Z<\/em>. Praha: Garamond.<\/p><p>\u00a0<\/p><p>BARONI, Rapha\u00ebl. 2007. <em>La tension narrative: Suspense, curiosit\u00e9 et surprise<\/em>. Paris: \u00c9ditions du Seuil.<\/p><p>\u00a0<\/p><p>BENYOVSZKY, Kristi\u00e1n. 2011. <em>Odkrytie \u0161tylistick\u00e9ho znaku: Kontexty Mikovej v\u00fdrazovej s\u00fastavy<\/em>. Nitra: Univerzita Kon\u0161tant\u00edna Filozofa.<\/p><p>\u00a0<\/p><p>BERTHIER, Patrick \u2013 JARRETY, Michel (eds.). 2009. <em>Histoire de la France litt\u00e9raire: Modernit\u00e9s, XIX\u1d49 &#8211; XX\u1d49 si\u00e8cle<\/em>. Paris: Presses Universitaires de France.<\/p><p>\u00a0<\/p><p>B\u00cdLEK, Petr A. 2013. \u010cten\u00e1\u0159 (ve) vypr\u00e1v\u011bn\u00ed. In:<em> Naratologie: Struktur\u00e1ln\u00ed anal\u00fdza vypr\u00e1v\u011bn\u00ed<\/em>. Praha: Dauphin.<\/p><p>\u00a0<\/p><p>BLOOM, Harold. 1994. <em>The Western Canon: The Books and Schools of the Ages<\/em>. New York \u2013 San Diego \u2013 London: Harcourt Brace &amp; Company.<\/p><p>\u00a0<\/p><p>CARROLL, Joseph. 2004. <em>Literary Darwinism: Evolution, Human Nature and Literature.<\/em> New York and London: Routledge.<\/p><p>\u00a0<\/p><p>CLAY, Zanna \u2013 IACOBINI, Marco. 2014. Mirroring Fictional Others. In: SCHELLEKENS, Elisabeth \u2013 GOLDIE, Peter (eds.): <em>The Aesthetic Mind: Philosophy &amp; Psychology<\/em>. Oxford: University Press.<\/p><p>\u00a0<\/p><p>COMPAGNON, Antoine. 2009. <em>D\u00e9mon teorie: Literatura a b\u011b\u017en\u00e9 my\u0161len\u00ed<\/em>. Brno: Host.<\/p><p>\u00a0<\/p><p>CULLER, Jonathan. 2001. <em>Structuralist Poetics: Structuralism, Linguistics and the Study of Literature<\/em>. London and New York: Routledge.<\/p><p>\u00a0<\/p><p>CULLER, Jonathan. 2015. <em>Kr\u00e1tk\u00fd \u00favod do liter\u00e1rn\u00ed teorie<\/em>. Brno: Host.<\/p><p>\u00a0<\/p><p>DOLE\u017dEL, Lubom\u00edr. 2000. <em>Kapitoly z d\u011bjin struktur\u00e1ln\u00ed poetiky: Od Aristotela k Pra\u017esk\u00e9 \u0161kole<\/em>. Brno: Host.<\/p><p>\u00a0<\/p><p>DOLE\u017dEL, Lubom\u00edr. 2003. <em>Heterocosmica: Fikce a mo\u017en\u00e9 sv\u011bty<\/em>. Praha: Karolinum.<\/p><p>\u00a0<\/p><p>DOLE\u017dEL, Lubom\u00edr. 2008. Milan Kundera: Erotika a politika. In: <em>Studie z \u010desk\u00e9 literatury a poetiky<\/em>. Praha: Torst.<\/p><p>\u00a0<\/p><p>EAGLETON, Terry. 2010. <em>\u00davod do liter\u00e1rn\u00ed teorie.<\/em> Praha: Plus.<\/p><p>\u00a0<\/p><p>ECO, Umberto. 1997. <em>\u0160est proch\u00e1zek liter\u00e1rn\u00edmi lesy.: P\u0159edn\u00e1\u0161ky na Harvardov\u011b univerzit\u011b<\/em>. Praha: Votobia.<\/p><p>\u00a0<\/p><p>ECO, Umberto. 2004. <em>Meze interpretace<\/em>. Praha: Karolinum.<\/p><p>\u00a0<\/p><p>ECO, Umberto. 2006. <em>O literatu\u0159e<\/em>. 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Paris: Presses Universitaires de France.<\/p><p>\u00a0<\/p><p>HEIDEGGER, Martin. 2008. <em>Byt\u00ed a \u010das<\/em>. Praha: OIKOYMENH.<\/p><p>\u00a0<\/p><p>HUDEC, Branislav. 2016. <em>Text a tv\u00e1r: Esej o etike \u010d\u00edtania (nielen) liter\u00e1rneho textu<\/em>. Levo\u010da: Modr\u00fd Peter.<\/p><p>\u00a0<\/p><p>CHATMAN, Seymour. 1980. <em>Story and Discourse: Narrative Structure in Fiction and Film<\/em>. Ithaca and London: Cornell University Press.<\/p><p>\u00a0<\/p><p>CHVAT\u00cdK, Kv\u011btoslav. 1996. <em>\u010clov\u011bk a struktury: Kapitoly z neostruktur\u00e1ln\u00ed poetiky a estetiky<\/em>. Praha: \u010cesk\u00fd spisovatel.<\/p><p>\u00a0<\/p><p>INGARDEN, Roman. 1989. <em>Um\u011bleck\u00e9 d\u00edlo liter\u00e1rn\u00ed<\/em>. Praha: Odeon.<\/p><p>\u00a0<\/p><p>ISER, Wolgang. 1980. <em>The Act of Reading: A Theory Aesthetic Response<\/em>. Baltimore: The Johns Hopkins University Press.<\/p><p>\u00a0<\/p><p>JANKOVI\u010c, Milan. 2005. Estetick\u00e1 funkce a dynamika v\u00fdznamov\u00e9ho sjednocen\u00ed. In: <em>Cesty za smyslem liter\u00e1rn\u00edho d\u00edla<\/em>. Praha: Karollinum.<\/p><p>\u00a0<\/p><p>JAKOBSON, Roman. 1981. Linguistique et po\u00e9tique. In: <em>Essais de linguistique g\u00e9n\u00e9rale<\/em>. Paris: \u00c9ditions de Minuit.<\/p><p>\u00a0<\/p><p>JAKOBSON, Roman. 2017. La dominante. In: <em>Huit questions de po\u00e9tique<\/em>. Paris: \u00c9ditions du Seuil.<\/p><p>\u00a0<\/p><p>JOUVE, Vincent. 2014. <em>L\u2019effet-personnage dans le roman<\/em>. Paris: Presses Universitaires de France.<\/p><p>\u00a0<\/p><p>JOUVE, Vincent. 2019. <em>Pouvoirs de la fiction: Pourquoi aime-t-on les histoires?<\/em> Paris: Armand Colin.<\/p><p>\u00a0<\/p><p>KANT, Immanuel. 1975. <em>Kritika soudnosti<\/em>. Praha: Odeon.<\/p><p>\u00a0<\/p><p>KUB\u00cd\u010cEK, Tom\u00e1\u0161. 2001. <em>Vypr\u00e1v\u011bt p\u0159\u00edb\u011bh: Naratologick\u00e9 kapitoly k rom\u00e1n\u016fm Milana Kundery<\/em>. Brno: Host.<\/p><p>\u00a0<\/p><p>KUNDERA, Milan. 2012. <em>Jakub a jeho p\u00e1n: Pocta Denisi Diderotovi o t\u0159ech jedn\u00e1n\u00edch<\/em>. Brno: Atlantis.<\/p><p>\u00a0<\/p><p>KUZM\u00cdKOV\u00c1, Jana. 2021. <em>Kognit\u00edvna liter\u00e1rna veda: Te\u00f3ria, experimenty, anal\u00fdzy<\/em>. Bratislava: Veda.<\/p><p>\u00a0<\/p><p>LAMARQUE, Peter. 2010. Kognitivn\u00ed hodnoty v um\u011bn\u00ed. In: ZAHR\u00c1DKA, Pavel (ed.). <em>Estetika na p\u0159elomu mil\u00e9nia: Vybran\u00e9 probl\u00e9my sou\u010dasn\u00e9 estetiky<\/em>. Brno: Barrister &amp; Principal.<\/p><p>\u00a0<\/p><p>L\u00c9VINAS, Emmanuel. 2009. <em>Etika a nekone\u010dno<\/em>. Praha: OIKOYMENH.<\/p><p>\u00a0<\/p><p>LOTMAN, Jurij M. 1990. <em>\u0160trukt\u00fara umeleck\u00e9ho textu<\/em>. Bratislava: Tatran.<\/p><p>\u00a0<\/p><p>McHALE, Brian. 2001. <em>Postmodernist Fiction<\/em>. London and New York: Routledge.<\/p><p>\u00a0<\/p><p>MIALL, David S. 2014. Enacting the Other: Toward an Aesthetic of Feeling in Literary Reading. In: SCHELLEKENS, Elisabeth \u2013 GOLDIE, Peter (eds.): <em>The Aesthetic Mind: Philosophy &amp; Psychology<\/em>. Oxford: University Press.<\/p><p>\u00a0<\/p><p>MIKO, Franti\u0161ek. 1969. <em>Estetika v\u00fdrazu: Te\u00f3ria v\u00fdrazu a \u0161t\u00fdl<\/em>. Bratislava: Slovensk\u00e9 pedagogick\u00e9 nakladate\u013estvo.<\/p><p>\u00a0<\/p><p>MIKO, Franti\u0161ek. 1970. <em>Text a \u0161t\u00fdl: K problematike liter\u00e1rnej komunik\u00e1cie<\/em>. Bratislava: Smena.<\/p><p>\u00a0<\/p><p>MIKO, Franti\u0161ek. 1973. <em>Od epiky k lyrike. \u0160tylistick\u00e9 prierezy literat\u00farou<\/em>. Bratislava: Tatran.<\/p><p>\u00a0<\/p><p>MIKO, Franti\u0161ek. 1978. Estetick\u00e1 komunik\u00e1cia. In: POPOVI\u010c, Anton \u2013 MIKO, Franti\u0161ek. <em>Tvorba a recepcia: Estetick\u00e1 komunik\u00e1cia a metakomunik\u00e1cia<\/em>. 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Bratislava: Smena.<\/p><p>\u00a0<\/p><p>VIART, Dominique \u2013 VERCIER, Bruno. 2008. <em>Sou\u010dasn\u00e1 francouzsk\u00e1 literatura: D\u011bdictv\u00ed, modernita, prom\u011bny<\/em>. Praha: Garamond.<\/p><p>\u00a0<\/p><p>VODI\u010cKA, Felix. 1998. V\u00fdvoj liter\u00e1rn\u00ed struktury. In: <em>Struktura v\u00fdvoje<\/em>. Praha: Dauphin.<\/p><p>\u00a0<\/p><p>\u017dIAK, Peter. 2021. <em>Estetika narat\u00edvnych textov<\/em>. Nitra: Univerzita Kon\u0161tant\u00edna Filozofia.<\/p><p>\u00a0<\/p><p>\u017dIAK, Peter. 2021a. Comment la fictionalit\u00e9 active l\u2019attention esth\u00e9tique. In: KR\u00c1LIK, Roman \u2013 MATURKANI\u010c, Patrik (eds): <em>Aktu\u00e1ln\u00ed ot\u00e1zky filozoficko-soci\u00e1ln\u00edho v\u00fdzkumu<\/em>. Terez\u00edn: Vysok\u00e1 \u0161kola aplikovan\u00e9 psychologie.<\/p><p>\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>\u00daVOD DO INTERPRET\u00c1CIE NARAT\u00cdVNYCH TEXTOV Literat\u00fara Pramene HOUELLEBECQ, Michel. 2019. Roz\u0161\u00edrenie bojov\u00e9ho po\u013ea. Bansk\u00e1 Bystrica: Liter\u00e1rna ba\u0161ta. \u00a0 KUNDERA, Milan. 2014. Nesnesiteln\u00e1 lehkost byt\u00ed. Brno: Atlantis. \u00a0 MAUPASSANT, Guy. 1992. Na vode. In: 22 fantastick\u00fdch pr\u00edbehov. Bratislava: Slovensk\u00fd spisovate\u013e. \u00a0 \u00a0 Sekund\u00e1rna literat\u00fara ARISTOTELES. 2009. Poetika. Martin: THETIS. \u00a0 BACHTIN, Michail M. 1973. Probl\u00e9my poetiky [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3198","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/e-ucebnice.ff.ucm.sk\/index.php\/wp-json\/wp\/v2\/pages\/3198","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/e-ucebnice.ff.ucm.sk\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/e-ucebnice.ff.ucm.sk\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/e-ucebnice.ff.ucm.sk\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/e-ucebnice.ff.ucm.sk\/index.php\/wp-json\/wp\/v2\/comments?post=3198"}],"version-history":[{"count":4,"href":"https:\/\/e-ucebnice.ff.ucm.sk\/index.php\/wp-json\/wp\/v2\/pages\/3198\/revisions"}],"predecessor-version":[{"id":3268,"href":"https:\/\/e-ucebnice.ff.ucm.sk\/index.php\/wp-json\/wp\/v2\/pages\/3198\/revisions\/3268"}],"wp:attachment":[{"href":"https:\/\/e-ucebnice.ff.ucm.sk\/index.php\/wp-json\/wp\/v2\/media?parent=3198"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}