{"id":5221,"date":"2023-03-28T18:23:20","date_gmt":"2023-03-28T16:23:20","guid":{"rendered":"https:\/\/e-ucebnice.ff.ucm.sk\/?page_id=5221"},"modified":"2023-03-28T18:23:20","modified_gmt":"2023-03-28T16:23:20","slug":"problematizovanie-edukacnej-reality-3","status":"publish","type":"page","link":"https:\/\/e-ucebnice.ff.ucm.sk\/index.php\/problematizovanie-edukacnej-reality-3\/","title":{"rendered":"Problematizovanie eduka\u010dnej reality-3"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"5221\" class=\"elementor elementor-5221\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6f672ed elementor-section-height-min-height elementor-section-boxed elementor-section-height-default elementor-section-items-middle\" data-id=\"6f672ed\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t\t<div class=\"elementor-background-overlay\"><\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-bbeb470\" data-id=\"bbeb470\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d82f1ef elementor-widget elementor-widget-heading\" data-id=\"d82f1ef\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">\u00daVOD DO INTERPRET\u00c1CIE NARAT\u00cdVNYCH TEXTOV<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2858d6f elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2858d6f\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-e63bd34\" data-id=\"e63bd34\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-0b79421 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"0b79421\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-bb0ded5\" data-id=\"bb0ded5\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-759b076 elementor-widget elementor-widget-heading\" data-id=\"759b076\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">\u00davod<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5aa9d5d elementor-widget elementor-widget-text-editor\" data-id=\"5aa9d5d\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p style=\"text-align: justify;\">T\u00e1to kni\u017eka je ur\u010den\u00e1 najm\u00e4 \u0161tudentom literat\u00fary, pr\u00edpadne bud\u00facim pedag\u00f3gom, ktor\u00ed bud\u00fa na svojich vlastn\u00fdch hodin\u00e1ch vyu\u010dova\u0165 literat\u00faru. Kniha <em>\u00davod do interpret\u00e1cie narat\u00edvnych textov<\/em> je teda prim\u00e1rne koncipovan\u00e1 ako vysoko\u0161kolsk\u00e1 u\u010debnica, \u010domu zodpovedaj\u00fa niektor\u00e9 \u00fapravy. Vyzna\u010dili sme tu\u010dn\u00fdm p\u00edsmom vybran\u00e9 pojmy a v\u00fdrazy, pr\u00edpadne cel\u00e9 defin\u00edcie \u010di tvrdenia, \u010do sn\u00e1\u010f prispeje k v\u00e4\u010d\u0161ej preh\u013eadnosti textu. Chceme t\u00fdm z\u00e1rove\u0148 upozorni\u0165 \u010ditate\u013ea na term\u00edny a tvrdenia, ktor\u00e9 by bolo dobr\u00e9 si zapam\u00e4ta\u0165 a rozumie\u0165 im. \u010ealej sme do ka\u017edej kapitoly venuj\u00facej sa jedn\u00e9mu konkr\u00e9tnemu aspektu textu vlo\u017eili interpreta\u010dn\u00e9 uk\u00e1\u017eky a ot\u00e1zky\/n\u00e1mety na interpret\u00e1ciu alebo spolo\u010dn\u00fa diskusiu v triede. Po ka\u017edej takejto uk\u00e1\u017eke pon\u00fakame aj vlastn\u00fa interpret\u00e1ciu zameran\u00fa pr\u00e1ve na zodpovedanie predlo\u017een\u00fdch ot\u00e1zok. Uk\u00e1\u017eky sme vyberali spomedzi autorov franc\u00fazskej literat\u00fary, preto\u017ee jej \u0161t\u00fadium a v\u00fdu\u010dba patria k n\u00e1\u0161mu odborn\u00e9mu z\u00e1ujmu. Plat\u00ed to sn\u00e1\u010f aj v pr\u00edpade Milana Kunderu, ktor\u00fd je dnes pova\u017eovan\u00fd za franc\u00fazskeho spisovate\u013ea, hoci vybran\u00fd rom\u00e1n bol nap\u00edsan\u00fd po \u010desky a je preva\u017ene situovan\u00fd do \u010desk\u00e9ho prostredia. Z h\u013eadiska prim\u00e1rneho z\u00e1meru u\u010debnice na tom napokon a\u017e tak nez\u00e1le\u017e\u00ed. Ver\u00edme, \u017ee vyu\u017eitie tejto kni\u017eky je univerz\u00e1lnej\u0161ie, aj ke\u010f u\u017e samotn\u00fd n\u00e1zov nazna\u010duje, \u017ee sa n\u00e1\u0161 z\u00e1ber net\u00fdka literat\u00fary ako takej, ale v\u00fdlu\u010dne literat\u00fary narat\u00edvnej (pojem narat\u00edvny text budeme bli\u017e\u0161ie \u0161pecifikova\u0165 v\u00a0nasleduj\u00facej kapitole).<\/p><p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 V prvej kapitole knihy ozrejmujeme z\u00e1kladn\u00e9 mechanizmy fungovania liter\u00e1rnych textov a predklad\u00e1me koncept kompetentn\u00e9ho \u010ditate\u013ea \u2013 \u010ditate\u013ea, ktor\u00fd je schopn\u00fd tieto mechanizmy identifikova\u0165 a v interpret\u00e1cii zoh\u013eadni\u0165. Druh\u00e1 kapitola venuje pozornos\u0165 \u010ditate\u013eskej kooper\u00e1cii s textom, pri\u010dom obsahuje u\u017e aj konkr\u00e9tnu uk\u00e1\u017eku, ot\u00e1zky a interpret\u00e1ciu. V tejto \u010dasti sa venujeme aj narat\u00edvnym \u0161trukt\u00faram a predpokladanej \u010ditate\u013eskej kooper\u00e1cii s narat\u00edvom. V tretej kapitole predklad\u00e1me predbe\u017en\u00fd s\u00fahrn toho, \u010do by malo by\u0165 predmetom sk\u00famania poetiky narat\u00edvov, ak n\u00e1s zauj\u00edma ich liter\u00e1rno-umeleck\u00e9 podstata. Vo \u0161tvrtej kapitole sk\u00famame \u0161t\u00fdl. Nevn\u00edmame ho ako \u010disto form\u00e1lny postup, ale v \u00fazkom vz\u0165ahu so samotnou t\u00e9mou (\u0161t\u00fdl ako sp\u00f4sob videnia sveta). V predmetnej kapitole poukazujeme podrobnej\u0161ie aj na to, \u017ee \u00fa\u010dinok literat\u00fary s\u00favis\u00ed nielen s pou\u017e\u00edvan\u00edm form\u00e1lnych postupov, ale aj s jej tematickou bl\u00edzkos\u0165ou k \u017eivotn\u00e9mu svetu \u010ditate\u013eov. V nasleduj\u00facej kapitole tento vz\u0165ah zd\u00f4razn\u00edme e\u0161te viac cez problematiku hodn\u00f4t a mor\u00e1lky, ktor\u00e1 tvor\u00ed neodmyslite\u013en\u00fa s\u00fa\u010das\u0165 narat\u00edvnych textov a dod\u00e1va vyrozpr\u00e1van\u00fdm pr\u00edbehom vy\u0161\u0161iu v\u00fdpovedn\u00fa hodnotu a \u017eivotn\u00fa relevantnos\u0165. Predmetom piatej kapitoly je liter\u00e1rna postava ako efekt textu. Postava na seba up\u00fatava \u010ditate\u013esk\u00fa pozornos\u0165, preto\u017ee simuluje \u013eudsk\u00fa existenciu. Estetick\u00fd z\u00e1\u017eitok v podobe emocion\u00e1lnej odozvy na text (nap\u00e4tie, uvo\u013enenie, prekvapenie, strach, t\u00fa\u017eba a pod.) by celkom ur\u010dite nemal tak\u00fa intenzitu, ak by sme cez fik\u010dn\u00fa postavu nemysleli v\u017edy aj na re\u00e1lneho \u010dloveka a jeho probl\u00e9my. V r\u00e1mci kapitoly o postave uva\u017eujeme aj nad hranicami interpret\u00e1cie textu. Aj pri textu\u00e1lnom (tematologickom, naratologickom, \u0161tylistickom) rozbore textu dok\u00e1\u017eeme identifikova\u0165 poetick\u00e9 postupy zameran\u00e9 na vyvolanie estetick\u00e9ho z\u00e1\u017eitku, ale samotn\u00fd z\u00e1\u017eitok nie je s\u00fa\u010das\u0165ou textu. Ak sa chceme dr\u017ea\u0165 objekt\u00edvnych aspektov, ako ich odha\u013euje poetika, mus\u00edme h\u013eada\u0165 estetick\u00fa funkciu priamo v textov\u00fdch strat\u00e9gi\u00e1ch. Interdisciplin\u00e1rny pr\u00edstup (zoh\u013eadnenie poznatkov discipl\u00edn ako evolu\u010dn\u00e1 psychol\u00f3gia, neurovedy a pod.) m\u00f4\u017ee dospie\u0165 k potvrdeniu \u00fa\u010dinnosti ust\u00e1len\u00fdch liter\u00e1rnych postupov ako psychosomatick\u00fdch stimulov. Tomu sa venujeme v poslednej kapitole.<\/p><p style=\"text-align: justify;\">T\u00e1to u\u010debnica je jedn\u00fdm z\u00a0viacer\u00fdch mo\u017en\u00fdch n\u00e1vodov na \u010d\u00edtanie a interpret\u00e1ciu narat\u00edvnych textov. Jej cie\u013eom je poskytn\u00fa\u0165 z\u00e1kladn\u00e9 v\u00fdchodisk\u00e1 a pr\u00edstupy pre vysoko\u0161kolsk\u00fdch \u0161tudentov, ktor\u00ed na \u010fal\u0161\u00edch predmetoch zameran\u00fdch na \u0161t\u00fadium literat\u00fary bud\u00fa m\u00f4c\u0165 tieto element\u00e1rne postupy aplikova\u0165. Do ve\u013ekej miery v tejto u\u010debnici nadv\u00e4zujeme na na\u0161u monografiu <em>Estetika narat\u00edvnych textov <\/em>(2021), ktor\u00e1 poskytuje komplexnej\u0161\u00ed v\u00fdklad problematiky (te\u00f3ria fik\u010dn\u00fdch svetov, naratol\u00f3gia, recep\u010dn\u00e1 poetika, te\u00f3ria estetick\u00e9ho z\u00e1\u017eitku). Na niektor\u00fdch miestach budeme k uvedenej monografii odkazova\u0165, ak by mal \u010ditate\u013e z\u00e1ujem urobi\u0165 si podrobnej\u0161\u00ed preh\u013ead. Cie\u013eom tejto u\u010debnice je v prvom rade poskytn\u00fa\u0165 pr\u00edstupn\u00fd a stru\u010dn\u00fd manu\u00e1l (od\u013eah\u010den\u00fd o metodologick\u00e9 diskusie) niektor\u00fdch z\u00e1kladn\u00fdch aspektov narat\u00edvnych textov a ich recepcie. Jednako v\u0161ak vn\u00edmame obe pr\u00e1ce ako komplement\u00e1rne \u2013 prv\u00fa ako viac teoretick\u00fa, druh\u00fa ako viac aplika\u010dn\u00fa.<\/p><p style=\"text-align: justify;\">Recepcia literat\u00fary sa s\u00edce zv\u00e4\u010d\u0161a odohr\u00e1va v\u00a0int\u00edmnom styku (\u010ditate\u013e \u010d\u00edta kni\u017eku osamote), ale v\u00fdznamy textu s\u00fa adresovan\u00e9 verejnosti (nie iba jedn\u00e9mu konkr\u00e9tnemu \u010ditate\u013eovi, ale mnoh\u00fdm \u010ditate\u013eom, ktor\u00ed s\u00fa schopn\u00ed v\u00a0\u0148om n\u00e1js\u0165 rovnak\u00e9 \u010di ve\u013emi podobn\u00e9 v\u00fdznamy). Porozumenie literat\u00fary ako kolekt\u00edvnej kult\u00farnej trad\u00edcii patr\u00ed k\u00a0z\u00e1kladom humanitn\u00e9ho vzdelania, preto by sa malo neust\u00e1le prehlbova\u0165 a\u00a0zdokona\u013eova\u0165 \u2013 v \u0161kole i pri s\u00fakromnom \u010d\u00edtan\u00ed. D\u00fafame, \u017ee niekomu na\u0161a u\u010debnica v tomto pom\u00f4\u017ee.<\/p><p style=\"text-align: justify;\">\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>\u00daVOD DO INTERPRET\u00c1CIE NARAT\u00cdVNYCH TEXTOV \u00davod T\u00e1to kni\u017eka je ur\u010den\u00e1 najm\u00e4 \u0161tudentom literat\u00fary, pr\u00edpadne bud\u00facim pedag\u00f3gom, ktor\u00ed bud\u00fa na svojich vlastn\u00fdch hodin\u00e1ch vyu\u010dova\u0165 literat\u00faru. Kniha \u00davod do interpret\u00e1cie narat\u00edvnych textov je teda prim\u00e1rne koncipovan\u00e1 ako vysoko\u0161kolsk\u00e1 u\u010debnica, \u010domu zodpovedaj\u00fa niektor\u00e9 \u00fapravy. Vyzna\u010dili sme tu\u010dn\u00fdm p\u00edsmom vybran\u00e9 pojmy a v\u00fdrazy, pr\u00edpadne cel\u00e9 defin\u00edcie \u010di tvrdenia, \u010do [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5221","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/e-ucebnice.ff.ucm.sk\/index.php\/wp-json\/wp\/v2\/pages\/5221","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/e-ucebnice.ff.ucm.sk\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/e-ucebnice.ff.ucm.sk\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/e-ucebnice.ff.ucm.sk\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/e-ucebnice.ff.ucm.sk\/index.php\/wp-json\/wp\/v2\/comments?post=5221"}],"version-history":[{"count":1,"href":"https:\/\/e-ucebnice.ff.ucm.sk\/index.php\/wp-json\/wp\/v2\/pages\/5221\/revisions"}],"predecessor-version":[{"id":5222,"href":"https:\/\/e-ucebnice.ff.ucm.sk\/index.php\/wp-json\/wp\/v2\/pages\/5221\/revisions\/5222"}],"wp:attachment":[{"href":"https:\/\/e-ucebnice.ff.ucm.sk\/index.php\/wp-json\/wp\/v2\/media?parent=5221"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}